Posts Tagged ‘Josh Zee’

Old Friends and New — Digital Antique, Nathan Hamilton, and more

This is a hodge-podge — starting at the end, working back a bit … Tonight a bunch of us gathered at Flipnotics to visit in their “living room” with Raina Rose, Drew Pressman and their handsome offspring — with the bonus of hearing Johann (or J) Wagner and special guest Wilson Marks. This was Raina’s first public performance since she was great with child, and she admitted her callouses had disappeared but she and Johann (and also Wilson) tossed out songs that in many cases were full-house sing-alongs and in some cases were heard in rapt silence. I met Jen Hitt, another Austin newcomer, songwriter and host of WAMU 88.5′s (Washington, DC) Capital Americana radio show (yeah, it streams!). She has a show upcoming at the Irie Bean! [Sidebar -- Marks, it seems, once gave a guitar lesson to a very young Matt McCloskey, which apparently worked!]

Earlier today, I got to hear the Jackie Myers Band (Jackie, Mike Brinley, Mark Williams, and Stewart Lane) for the first time since before they went into the studio to cut a new record (release date in early spring 2012). People at the Cedar Park Farmers’ Market loved what they were hearing. I did too!

Friday night Brett Randell had a welcome home to Austin show at One 2 One Bar — soon to be relocating to an as yet undisclosed location, but not before a knock-down New Year’s Eve show hosted by the venerable Donny Jones! Then it was over to Skinny’s Ballsoom (thanks Brad and Maggie for keeping this great room alive!), and I got there in time for some of Kyle Offidani’s amazing guitar work. I was there mainly to hear Digital Antique, one of my favorites (two violins, a viola, a cello, plus electric guitar and electric bass and drums) … and soon, apparently, a vocalist as well! Stay tuned! I stuck around for the second Austin show of The Bellmen (featuring Travis Sutherland of Utopia Fest fame) plus Dustin Halsell (lead guitar), Reid Faist (drums), Jeremiah Silsby (bass), and Benjamin Taylor (keys). Lots of energy there — and they rocked on in spite of equipment issues.

Thursday night was pretty special — the night before I had run into James Hyland while watching Amanda Cevallos at the Broken Spoke (happy hour, with Glen Rexach on guitar!), and he told me about a benefit he was playing the next day – at Spicewood Elementary. So I get there and it is the Stonecastle Family Band, which I had not seen since Lauryn Gould was a teenager (or so) singing with her dad (Rick Steinburg), his wife Deby, and her sisters at the Triumph Cafe (long before I actually MET Lauryn, my favorite flutist/keyboardist). The benefit was for a beloved teacher who has tongue cancer … and it was well attended! Hyland played a set with Will Dupuy on bass and Bobby Socia on guitar; Datri Bean put on an amazing show on piano and accordian; Ryan Gould and two of his fellow Jazz Pharaohs (notably the amazing Stanley Smith); and this gal playing bagpipes! It is always fun to watch Ryan sing and Lauryn dance! And, yeah, they play bass and flute (respectively) pretty well!  Later, I stopped by Baker St. to see the best set yet from JUSTIF and the Missing Pieces (Jenna G and Samantha Burge) — ran into Hector Ward and half of his band who had been dining there, and stuck around for Charlie Mason.  Good times!

[Meanwhile, I am listening to Doug Burr as I write this stuff -- and also Steve Carter!]

Wednesday was, admittedly, ridiculous! Started out at The Crow Bar for Kem Watts (her trio sounded quite good, and HalleyAnna showed up!), then to the Spoke for Amanda (where I also ran into Waldo Wittenmyer, who is now doing some booking at the Hole in the Wall), then all the way up to the NeWorld Deli to catch half a set from Jim Patton and Sherry Brokus (such dear friends!), then over to the Hole in the Wall to hear Ashley Monical (with Brian Paugh on fiddle!), then down to Trophy’s to catch a set from Austin newcomer Jason Ludwig (that boy can wail!), and finally to the Mohawk (thanks for the reminder, amazing woman Sarah Gonzales) for a super set from Danny Malone – with strings and horns (notably Steve Bernal on cello, Andrew Pressman on bass, Jenni Wieland on French horn and more, and Andrew Noble on viola — the others – violin, sax, and trumpet - were from Little Lo and Mother Falcon).

Now Monday was COLD and thus the outdoor open mike at House Wine was short but very sweet … and I was at Momo’s early and later … first for William Kelley, later as Dustin Welch sang the songs of his father Kevin.  But it is Tuesday that made this week special (not counting the amazing show out in Luckenbach by Phil Hurley, Phil Bass, Lonnie Trevino, and Josh Zee with help from Teal Collins Zee — the Moonlighters!)!!!!  SONGWRITER NIGHT at Momo’s, starting with Jenny Reynolds (who brought some really good songs new to my ears) and the awe-inspiring Nathan Hamilton (the Abilene native whose songs ought to be listened to with the reverence others hold for TVZ, Guy C, etc.).  Nathan has a brand-new CD, “Beauty, Wit and Speed,” that like all of his others is just phenomenal!    [Watch for my review!]  Nathan Hamilton is one of my role models (did I mention?) — a man who lives by his code, who speaks the truth, and who has fought through anger to find a quiet peace.

Next up was the Drew Smith-Jon Beckham-Graham Wilkinson song circle, with special guests Nathan Singleton and Will Webster.  I had encouraged new-to-Austin songwriters Jason Ludwig and Josh Buckley to come, and Shilah Morrow and a bunch of other music people were in the house for what turned out to be an amazing circle of songs by friends who supported each other with hot licks, harmonies, and sometimes witty banter.  Highlights (a few among many!) — Jon Beckham’s “Snowy River, Mountain High” (a song covered by James Hyland but sung even better with Jon’s twangy voice), Graham’s “Personality Disorder,” and Will’s song about his parents and his other song about the War Between the States.  Words cannot describe the energy in the room (the garage doors were shut on this cold, damp night, and that perhaps added to the energy!) — and the exhilaration from the love being poured out by every man on stage!  Also in the house were the Los Angeles based trio, The Fallen Stars, who played afterward …

My evening was far from over, as i hustled over to the 29th Street Ballroom at Spider House to hear Meggan Carney with her trio (Johnny Vogelsang and Drew D’Entremont) — with Meggan on electric guitar.  Meggan has a major show at Momo’s on December 23rd, where she will be releasing another new EP .. a teaser is already up on her Facebook page … words and music for “Empathy,” which includes the line, “Understand that I will never be
unwary of your heart….”

One more note — Chicago songbird Laura Jean Thompson flies into Austin on December 20th to play shows at Romeo’s (12-21), Momo’s (12-26), and the Ham Jam House Concert (12-28) — plus the Cedar Park Farmers’ Market and maybe a few surprises!  I am thrilled to be sponsoring this tour … and just as thrilled that well-known author and public speaker Jenni Schaefer will be making her singing (only) debut at the Ham Jam show.  For details just let me know via Facebook, email or slapping me upside my head!

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Chris Jamison, Native Texan Comes Home!

Sorry, no photos — the camera is on the fritz!  But soon!  Monday night very late (after Bukka Allen) at Momo’s a bunch of us were sitting out on the deck and this long-haired guy with a high voice (someone suggested Ray LaMontagne like) was up on stage singing and playing guitar to an empty room (inside).  We of course could hear quite well, and we knew right away this guy had something.  So on Tuesday I am down at Jovita’s for the Tiny Tin Hearts and there he is again — Chris Jamison, hair and all, and his guitar — and his songs.  Guy’s got a big smile as he steps off stage to introduce himself.  Hands me BOTH of his CD’s.  Hangs out all evening — and later I find out maybe why.

Turns out Chris is a native Texan with lots of family around here — but his folks moved up to Radford, Virginia, and he ended up going to the University of Virginia and becoming quite a songwriter.  Put a band together up there and made a record, “Into Surrender,” some of which was recorded at Woodworm Studios in Oxfordshire, all of it mixed there, and the whole shebang mastered at Abbey Road.  A year later he made his second record, “Strangers and Lovers,” mostly in Virginia but again taking it to Abbey Road for mastering.  Now he’s working on his third song collection, but here in Austin.

And what songs — powerful stuff like “Savage Nation” and “A Heart Unbroken” on the first record, and “Hollywood Cemetery,” “Holy Ghost” (absolutely stunning!), and “Wonderland Avenue” and “River of Tears” on the second — and he is closing his sets now with even newer material that is pure poetry.  Chris is out at Patsy’s Cowgirl Cafe on Friday — HIGHLY RECOMMENDED (as is the Sin City showcase at the Scoot Inn, featuring Stonehoney’s final set in central Texas until September 6 at Gruene Hall, and the Book People showcase featuring Tiny Tin Hearts at Momos).

Speaking of the Hearts, I simply cannot get enough of these guys and gals — new songs galore as they prepare to unveil their still in the final stages CD that George Reiff is producing.  But that’s nowhere near ALL the good music that has been popping up in town.  I already mentioned Bukka Allen, fresh from opening for the Flatlanders (and playing with them as well) out at the Boulder Theatre (I got a great report from my Devil in My Closet pal who saw the show!) with Robbie Gjersoe on guitar.  Freedy Johnston is also off on the road now, having played his final Monday night show at Momo’s for quite a while — though he will be back at the Continental Club in late July for a couple of shows.  Lots of folks are on tour for much of the late spring and summer — as it should be.  It’s getting hot here and the long winters of preparation have brought forth new flowers (for example, new CD’s from Charlie Faye, BettySoo, and a whole lot more) that need to be admired by a nation in great need of the real thing.

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For this report, I will merely skim the highlights (memory and camera failing of late).  Let’s start with Ming’s, home to great jazz every Monday and tasty food every day (thanks, Fai Jow, for moving to Austin!).  Last week it was Gary Newcomb and his amazing skills on the pedal steel — so good that steel player John Leon showed up to take notes and get his picture taken with the master.  This week ringleaders Brad Houser and Eldridge Goins (now THERE’s a rhythm section for you) gathered together pianist extraordinaire Cole El-Saleh (Carolyn Wonderland, for starters) and Landis Armstrong (Paula Nelson, of late) with special guest Pat McCann (Troubadillos — but 25 years playing with Cole beginning in Shreveport and along with Landis one of the finest guitarists in town).  These guys are playing Autumn Leaves and Chopsticks and other standards (Moondance) — and Landis and Pat are trading off vocals as well as breathtaking guitar licks.  Did I mention the food – or the wine (BYO)?

Somewhere in between was a trip out to the Red Shed Tavern to see Shelley King and Floramay Holliday on their SASS tour — this place is flat out comfortable, and I had some tasty tamales from the Airstream diner on the premises.  [BTW, the Scoot now has its own semi-diner, too!]  Later that evening I stopped by House Wine (another great outdoor sitting venue) to visit with Margo Valiante, fresh from her successful showcase at the Wildflower Festival in Richardson (where she was one of three runners-up to the big kahuna winner and thus got to play again on Sunday).  There’s Margo through the rails with Etan Sekons — and the lovely smiling lady on the right is “Singer of the Year” Aria Hollingsworth, daughter of guitarist Kevin Hollingsworth, whom I ran into at Maria’s Taco X-press playing a set with Mandy Mercier (to whom I owe an apology for talking to Kevin while she was introing a song).  Aria, who will soon be at McCallum High, will tell you that it was “only” for her eighth grade class at school, but we know the girl is relentless and will have a good time on many stages in years to come. 

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Then there was that WILD Thursday night (oh, wait!  That was right after seeing Aria!) when I ran back and forth between the Amsterdam Cafe and Momo’s because I first had to catch some o fJackie Bristow’s set, then hightail it outta there to fall in love over and over again with Molly Venter who for the first time in MY memory was playing with a full band (Bryan Austin on drums, Steve Zirkle on bass and keys, and the dashing Dave Madden on melodica?) — then back to the Amsterdam to catch a set from Noelle Hampton and Andre Moran (with Teal Collins and later though I missed it Josh Zee as well), and back to Momo’s for the David Newbould extravaganzabonanza whytheheckareyouleavingusforNashville celebration party where he both blew everyone awy on stage and handed out (for a small donation) hand-made copies of his brand-new CD.

David, who has after all given Austin seven pretty wonderful years (hosting the open mike at the Hideout, for example), nonetheless has been coming into his own as a kickass performer.  On this memorable occasion (with Cindy Cashdollar, Warren Hood, the unable to perform Redd Voelkart, Wendy Colonna, and Lord knows who all else — I DID miss a couple or three songs — plus the lovely new mom Megan Melara on vocals along with GOOD GOLLY MISS MOLLY!  And, yes, David closed his smashing set with a tribute to his opening act — which is just the type of dude he is!  And why Flanfire hopes to get to know this guy better on his occasional visits in the near and distant future.  Good GRIEF!  He is moving to Nashvegas! to become a BIG STAR!  Heck, he already IS a big star!

 

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Finally, I have to mention yet another visit to the Amsterdam — to see Leeann Atherton and the wonderful Sunny Coleman.  Now while we were there in walked a vision of loveliness wearing a mask — a mystery woman, to be sure (who just happens to be a dynamic singer who was born in Wyoming).  And so we will leave you with the unsolved along with yet another photo of Molly Venter “posing” with Aimee Bobruk (that’s two of my favorite women in the world who just happen to write topnotch songs).

molly-and-aimee-darkness-and-lightmasked-amanda

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